SELECTED REVIEWS
Lauren Warneke // Chicago dance critic reviewing Reckoning at Links Hall:
“The two rail against each other in a (beautiful) physical battle, thrusting fists toward one another’s guts, or prodding and pulling at legs and arms as feathers stuffed in Radella’s bosom go flying every which way. But in moments, the women slow the action and tenderly support each other’s weight. It’s hard to know what exactly the metaphor is: Are they swans? Geishas? Lovers? Runaway brides? Maybe all of the above — it’s fascinating.”
Andrea Simakis // The Plain Dealer reviewing Sweat at Cleveland Play House:
“Seibert is one of the most convincing stage drunks I’ve ever seen, and I hope she takes that as the high compliment it is. Her body appears boneless, flopping like a rag doll… Seibert and Ellis are well-known Cleveland-based talents, and it’s a joy to see them shine at one of the city’s premier theaters alongside actors from New York and L.A.”
Andrea Simakis // The Plain Dealer reviewing American Falls at CPT:
“Chris Seibert, a revelation… It isn’t easy to humanize such a woman, but in a single monologue, one that by all rights should become de rigueur in auditions, Seibert does it.”
Tony Brown // The Plain Dealer reviewing Insmonia: The Waking of Hersleves at CPT:
“Insomnia is a true awakening. Hypnotically engrossing… This is a play everybody should see. But even more so, every woman.”
Christine Howey // Cleveland Scene reviewing Cut to Pieces at CPT:
“Cut to Pieces has an innocent arrogance and an energetic spirit of invention that makes it a thoroughly memorable experience… don’t expect any easy plotting trajectory here. This is weird but wonderful theatrical creation, and it is most fascinating when it is least understandable… Seibert is a marvel.”
Tony Brown // The Plain Dealer reviewing Cut to Pieces at CPT:
“It is Seibert — an existentially lone boat tossed on the stormy breast of the great ocean of being — who is laying herself bare here for all to see the ugliness and beauty, the monstrous and the monotonously quotidian, about being alive and engaged in oneself and one’s world… Her candlepower on her return to the CPT stage attains supernova intensity.”